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The Red Paintings > Pop/Rock
06/10/2018 - Luebeck - treibsand
Performing Artists:

The Red Paintings
THE RED PAINTINGS - Orchestral Art Rock
Was bekäme man, wenn man Patrick Wolf, 30 Seconds To Mars, Nine Inch Nails & Bonaparte in einen Proberaum stecken würde?
Ganz einfach, eine der im Moment interessantesten Bands, THE RED PAINTINGS und ihre Musik nennen sie Orchestral Art Rock.
THE RED PAINTINGS sind keine Band, sie sind ein Gesamtkunstwerk. In den letzten Jahren tourten sie ausgiebig mit ihrem 2013er Debut „The Revolution Is Never Coming“ um den Globus.
Dabei spielten sie auch massig Supportshows, bei denen sie die Hauptband regelrecht gegen die Wand spielten.
Im März 2016 hatte das Warten auf neue Songs ein Ende. THE RED PAINTINGS veröffentlichten den Nachfolger zu ihrem gefeierten Debut.
THE RED PAINTINGS are an orchestral art rock band originally formed in Geelong, Victoria, Australia. The band consists of lead vocalist & songwriter Trash McSweeney on guitar, sequencing & samples, with a revolving line-up across the globe. McSweeney drives all the band's musical & staging concepts.
The current touring line up as of 2015 is Alix Kol (violin, Backing vocals); Ginny Eck (b), Hiroshi Kamoshita (dr) & Emma Baker (cello).
The band is known for their unique, confronting & intense themed performances incorporating elements of theatre & art, often dubbed "orchestral sci-fi art rock". Band members often dress in elaborate themed costumes, ranging from geisha outfits, alien costumes & more recently, sea creature/Neptune themes.
They employ elaborate and eccentric stage props to support their shows, varying from statues, giant robots, children's toys, literary and Tim Burton-themed props and self-made video projections. The act are renowned for inviting members of the audience and local artists to paint on blank canvasses and human canvases during their shows to reflect their own feelings in the live music set.[2]
The band has a strong underground fanbase in Europe, Australia[3] and the United States, and their debut studio album was produced almost entirely on fan donations.[4] Their many costumes, props and street performances are often organised and produced with help from their large volunteer street teams. They are also known for their vocal support of animal rights issues, and in particular, the Sea Shepherd Conservation Society.
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